Dmitry Prigov's creative legacy is huge and diverse: it includes not only thousands of poems, but also novels, plays, theoretical articles and manifestos, installations, paintings, drawings, and video performances. Behind all of Prigov's work was a large-scale common aesthetic idea, the "D. A. P. project," whose driving force was performatism: the transformation of artistic practices into games, simultaneously mocking and serious, each of which questioned the foundations of contemporary art. In A Guerillero's Logos, Prigov's works are shown not only in the context of the evolution of the "D. A. P. project" but also in typological comparisons with such important figures of 1970s-1980s unofficial culture as Vsevolod Nekrasov, Eduard Limonov, Alexei Parshchikov, and others. The authors consider Prigov's work as an aesthetic anthropology of modernity (late-Soviet, post-Soviet, global) and, at the same time, as a series of experiments in creating new countercultural languages of art – what he himself called "a guerillero's logos". (https://murawei.de/r017316.html) -- Abstract translated from Russian with DeepL (free version).