Natasha Ginwala is a curator, writer and editor based in Colombo and Berlin. Ginwala is associate curator at Gropius Bau, Berlin; artistic director of Colomboscope in Sri Lanka and the 13th Gwangju Biennial with Defne Ayas (2021). Ginwala has curated Contour Biennial 8, Polyphonic Worlds: Justice as Medium and was part of the curatorial team of documenta 14, 2017. Since joining Gropius Bau in 2018, she has curated a number of exhibitions including survey shows of Bani Abidi and Akinbode Akinbiyi. Other recent projects include Shadow Circus at SAVVY Contemporary (with Bonaventure Soh Bejeng Ndikung); Arrival, Incision. Indian Modernism as Peripatetic Itinerary in the framework of Hello World. Revising a Collection at Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2018; Riots: Slow Cancellation of the Future at ifa Gallery Berlin and Stuttgart, 2018; My East is Your West at the 56th Venice Biennial, 2015; and Corruption: Everybody Knows with e-flux, New York, 2015. Ginwala was a member of the artistic team for the 8th Berlin Biennial for Contemporary Art, 2014, and has co-curated The Museum of Rhythm, at Taipei Biennial 2012 and at Muzeum Sztuki, Lodz, 2016–17. Ginwala writes regularly on contemporary art and visual culture. Recent co-edited volumes include Stronger than Bone (Archive Books and Gwangju Biennial Foundation) and Nights of the Dispossessed: Riots Unbound (Columbia University Press).